Propellerhead Reason - 4.0 Manual de operaciones descargar pdf (Pagina 350)

THE EFFECT DEVICES

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• You can also set Edit Select to “Repeat Tap” - this is where you specify the repeat

time for the whole multi tap “package”.

With short Repeat times, the first tap may be repeated before the last tap has

sounded. This can be used to create very complex multiple delay effects.

The common parameters (to the left) are:

When Tap 1 - 4 is selected with the Edit Select parameter, you can make the follow-

ing settings for the selected delay tap:

When Repeat Tap is selected with the Edit Select parameter, there is only one param-

eter to the right in the display:

Reverse

The Reverse reverb algorithm in RV7000 is special in that it actually “moves” the

source audio as well. Sounds fed into the Reverse reverb are “sampled”, a reverse re-

verb is created and played back and finally the “sampled” original sound is played

back. For example, if you feed a snare drum hit into the Reverse reverb, you will hear a

rising “backwards” reverb, followed by the snare drum hit.

Therefore, you probably don’t want to hear the first, original (dry) sound. There are two

ways to set this up:

D Connect the RV7000 as an insert effect and make sure the Dry/Wet con-

trol on the main panel is set fully to “Wet”.

D Connect the RV7000 as a send effect using send 4 on the Mixer, activate

the Prefader (P) switch for the send and lower the mixer fader completely

for the source signal.

That way, the signal will be sent to the reverb but the dry sound from the Mixer

channel isn’t heard. Again, the Dry/Wet control should be set to “Wet”.

Note that with this algorithm, raising the Decay setting on the main panel will make the

reverse reverb start earlier and build up under a longer time. Similarly, the HF Damp

parameter affects how fast the high frequencies are built up in the reverse reverb. In

the remote panel, the Reverse algorithm has the following parameters:

Parameter

Description

Tempo Sync Determines whether the delay times and repeat times should be

freely set (“off”) or synchronized to Reason’s tempo (“on”).

Diffusion Raising the Diffusion setting will introduce additional echoes

very close to the “main” repeats, causing a “smeared” delay

sound.

LF Damp Controls how quickly the low frequencies should decay in the

echoes. Raise it to gradually remove low frequencies.

Parameter

Description

Tap delay Sets the delay - the time from the source signal to the tap.

When Tempo Sync is off, the delay time is set in milliseconds (10

- 2000 ms); when Tempo Sync is on you set the delay as a num-

ber of 1/16 notes or 1/8 triplet notes, in relation to the current

song tempo.

Tap level Adjusts the level of the selected tap.

Tap pan Adjusts the pan of the selected tap.

Parameter

Description

Repeat Time Sets the time between each repeat of the whole multi tap set.

The number of repeats is set with the Decay control on the main

panel.

When Tempo Sync is off, the repeat time is set in milliseconds

(10 - 2000 ms); when Tempo Sync is on you set the repeat time

as a number of 1/16 notes or 1/8 triplet notes, in relation to the

current song tempo.

Parameter

Description

Length This sets the time from when the source signal is fed into the re-

verb until it is played back again. It is during this time you will

hear the reverse reverb, as shown in the display.

The time can be set in milliseconds or as note values, depending

on whether Tempo Sync is off or on.

Note: As stated above, the Decay setting determines the length

of the actual reverse reverb - in essence how soon it starts after

the source signal. But of course, the reverse reverb cannot start

before the original source signal! If you set Decay to a longer

time than the Length setting, the reverse reverb will start

abruptly, immediately when the source signal is fed into the re-

verb. If this sounds complicated, just take a look at the RV7000

display and try the settings - you will soon see how it works.

Note also that very high Length settings demand a lot of proces-

sor power. This can be reduced by adjusting the Density param-

eter, see below.

Density Density governs the “thickness” of the Reverse effect. If this pa-

rameter is turned down to zero, the effect produces individual

delays rather than a dense “wash”, which can be used as a spe-

cial effect. Worth noting is that if Density is set to around 50%,

this can considerably reduce the CPU load without altering the

sound of the effect too much. Exactly how much the Density pa-

rameter can be reduced without altering the sound depends on

the source material.

Rev Dry/Wet Sets the balance between the “moved” source signal (“dry”, low

values) and the reverse reverb (“wet”, high values).

Tempo Sync Determines whether the Length setting should be freely set

(“off”) or synchronized to Reason’s tempo (“on”).

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Propellerhead Reason - 4.0 Manual de operaciones Pagina 350

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