Propellerhead Reason - 4.0 Manual de operaciones Pagina 221

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THOR POLYSONIC SYNTHESIZER
219
Modulation Sources - Global
The following parameters can be used as Global section modulation Sources:
Modulation Destinations - Voice section
The following parameters can be used as Voice section modulation Destinations:
|
Parameter
|
Description
Global Envelope This allows you to modulate parameters using the Global En-
velope.
Voice Mixer This allows you to modulate parameters using the Left and
Right Mixer inputs.
Last Key This will apply modulation according to the last note played
(monophonic), either via MIDI, or from the Step Sequencer.
For example, you can use Last Key to make a filter’s fre-
quency track notes played by the Step Sequencer.
MIDI Key This applies modulation according to notes globally, not per-
voice so in other words it is monophonic. E.g. if you use MIDI
Note as Source and a self-oscillating filter’s frequency as the
destination, the filter will track but you will only be able to
play one voice at a time. MIDI Note is handy for transposing
Step patterns in real time.
There are 3 modes selectable from the sub-menus:
Note - this is keyboard tracking. If a positive Amount value
is used and the destination is filter frequency, the filter fre-
quency will track the keyboard, i.e. increase with higher
notes.
Velocity - this applies modulation according to velocity
(how hard or soft you strike the keys).
Gate - this is Gate on/off. E.g. if applied to oscillator pitch
you will get one pitch value (set by Amount) when a key is
pressed, and another value (the unmodulated pitch) when
the key is released.
LFO 2 This allows you to modulate parameters with LFO 2.
Performance parame-
ters
On this sub-menu you can assign the one of the standard
Performance controllers to modulate/scale parameters; Mod
Wheel/Pitch Bend/Breath/AfterTouch/Expression.
Modifiers This is where you assign parameters and functions to be
controlled with the virtual 2 Rotary and 2 Button controls on
the Controller panel.
Sustain Pedal This allows you to assign the Sustain Pedal as a modulation
source.
Polyphony This allows you to apply modulation according to how many
notes you play. E.g. you could have a short envelope attack
when you play single notes, and a long attack when you play
chords.
Step Sequencer This allows you to apply modulation according to the settings
for each step in the Step Sequencer.
On the sub-menu you can chose to apply modulation ac-
cording to Gate/Note/Curve 1 and 2/Gate Length/Step Du-
ration settings for each step.
In addition you have Start and End Trig, which sends a gate
trigger at the start and end of the Step sequence, respec-
tively.
CV Inputs 1-4 These are CV inputs on the back panel which facilitates the
use of external modulation sources, (e.g. the Matrix) in Thor.
If connected you can freely assign the external CV to any
modulation destination in Thor.
Audio Inputs 1-4 These are Audio inputs on the back panel which allows you
to connect external audio signals and process these using
Thor parameters, or use them as modulation sources. See
page 221.
|
Parameter
|
Description
Osc 1 There are four modulation destinations available on the Osc
1 sub-menu:
Pitch - this will affect oscillator pitch (frequency).
FM - this will frequency modulate the oscillator.
The difference between Pitch and FM is that if a high fre-
quency audio signal (i.e. an oscillator or an external audio sig-
nal) is the source, FM will not alter the basic pitch of the
source, only the timbre. If Pitch is used both the pitch and the
timbre will be affected.
There is also a modifier parameter, which differs depend-
ing on what oscillator type is selected. See “The Oscilla-
tor section” for details.
Osc 2 AM Amount - this will control AM modulation
amount from Osc 2. See “About Amplitude Modulation
(AM)”.
Osc 2/ Osc 3 Oscillator slots 2 and 3 have the same Destination parame-
ters as Osc 1, except that there is no AM.
|
Parameter
|
Description
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