Propellerhead Reason - 4.0 Manual de operaciones descargar pdf (Pagina 279)

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277

Legato and Retrig

Legato

Legato works best with monophonic sounds. Set Key Poly (see above) to 1 and try

the following:

D Hold down a key and then press another key without releasing the previ-

ous.

Notice that the pitch changes, but the envelopes do not start over. That is, there

will be no new “attack”.

D If Key Poly is set to more voices than 1, Legato will only be applied when

all the assigned keys are “used up”.

For example, if you had a polyphony setting of “4” and you held down a 4 note

chord, the next note you played would be Legato. Note, however, that this Legato

key will “steal” one of the keys in the 4 note chord, as all the assigned keys were

already used up!

Retrig

Retrig is the “normal” setting for playing polyphonic patches. That is, when you press

a key without releasing the previous, the envelopes are triggered, like when you re-

lease all keys and then press a new one. In monophonic mode, Retrig has an addi-

tional function; if you press a key, hold it, press a new key and then release that, the

first note is also retriggered.

LFO 1 Rate

This is used for controlling the rate of LFO 1 if it is used in “Group Rate” mode. In that

case, this knob will take precedence over the rate parameter in the LFO 1 section.

See page 282 for detailed information about this.

Portamento

This is used for controlling portamento - a parameter that makes the pitch glide be-

tween the notes you play, rather than changing the pitch instantly as soon as you hit a

key on your keyboard. By turning this knob you set how long it should take for the

pitch to glide from one note to the next as you play them.

In legato mode, there will only be any portamento when actually playing legato (tied)

notes.

With the knob turned all the way to the left, portamento is disabled.

Synth parameters

The Modulation controls

As previously described, the Modulation wheel (and the External Control wheel) can

be used for controlling various parameters. These controls allow you to define which

parameters the wheels should modulate and to what extent.

D Below each of the knobs are the letters “W” and “X”.

These are used for selecting the source that should control the parameter, and

represent the “Modulation Wheel” and the “External Control wheel” respectively.

D By clicking on any of the letters, you decide which source should control

the parameter.

You can select either, both or none. When a letter is “lit”, the corresponding

source is set to control the parameter.

D By turning the knobs, you decide how much the modulation and/or ex-

ternal control wheel should modulate the corresponding parameter.

Note that all of the control knobs are bi-polar, which means that they can be set to

both positive and negative values. Positive values are set by turning the knobs to the

right, and negative values are thus set by turning the knobs to the left:

• Setting them to positive values means that the value of the controlled parameter

will be raised if the source wheel is pushed forward.

• Setting them to negative values means that the value will be lowered when a wheel

is pushed forward.

• Keeping the knobs in the center position means that no modulation control is ap-

plied.

There is one exception to these rules, and that is the LFO 1 Amt control, which works

in a slightly different way. See below for more information about this.

The following parameters can be modulated:

F.Freq

This sets modulation control of the Filter’s cutoff frequency (see page 279).

Mod Dec

This sets modulation control of the Decay parameter in the Modulation Envelope (see

page 280).

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Propellerhead Reason - 4.0 Manual de operaciones Pagina 279

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