Propellerhead Reason - 4.0 Manual de operaciones Pagina 277
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NN-XT SAMPLER
275
Sample Parameters
The Sample parameter area is found below the screen. They allow you to adjust pa-
rameters for one or several selected zones. Adjusting a parameter with multiple zones
selected, will set the parameter to the same value for all selected zones. Below fol-
lows a run-down of the various parameters:
Root Note and Tune
These parameters are described on page 270.
Sample Start and End
By turning the knobs you offset the start and end positions, so that they will play back
more or less of a samples’ waveform. Typical examples of use for this would be:
D Removing unwanted portions from samples.
This could be anything from noise to “dead air” at the beginning or end of a sam-
ple.
D To create variations out of a single sample.
These controls can be used to pick out any section of a recording for use as a
sample.
D Together with velocity sample start control.
You can for example increase Sample Start and then apply negative velocity mod-
ulation to Sample Start. Then, the harder you play the more you will hear of the at-
tack portion of the sound.
✪ If you hold down [Shift] when adjusting these parameters, the adjust-
ment is always in single frames (samples).
Loop Start and End
A sample, unlike the cycles of an oscillator for example, is a finite quantity. There is a
sample start and end. To get samples to play for as long as you press down the keys
on your keyboard, they need to be looped.
For this to work properly, you have to first set up two loop points which determine the
part of the sample that will be looped.
The instrument samples in the sound banks included with Reason are already looped.
The same will be true for most commercial sample libraries. However, if you need to,
you can use these controls to adjust the looping.
• The size and position of the loop – in the sample – is determined by two parame-
ters, Loop Start (the beginning of the loop) and Loop End (the end point of the
loop).
• The NN-XT then keeps repeating the section between the Loop Start and Loop
end until the sound has decayed to silence.
Play Mode
By using this knob you can select one of the following loop modes for each zone:
D FW
The sample in the zone will play only once, without looping.
D FW-LOOP
The sample will play from the sample start point to the loop end point, jump back
to the loop start point and then loop infinitely between the start and end loop
points. This is the most common loop mode.
D FW - BW
The sample will play from the sample start point to the loop end point, then from
the loop end point to the loop start point (backwards), and then loop infinitely for-
wards-backwards between the start and end loop points.
D FW-SUS
This works like FW-LOOP with the exception that it will only loop as long as the
key is held down. As you release the key, the sample will play to the absolute end
of the sample, that is beyond the boundaries of the loop.
This means that the sound may have a short natural release even if the release pa-
rameter is raised to a high value (which is not true for “FW-LOOP”, where the re-
lease parameter always controls the length of the sound after the key is released).
D BW
The sample will play only once - from the end to the beginning - without looping.
Lo Key and Hi Key
These parameters are described on page 267.
Lo Vel and Hi Vel
These parameters are described on page 272.
Fade In and Fade Out
These parameters are described on page 273.
Alt
This parameter is described on page 274.
- Operation Manual 1
- Table of Contents 3
- TABLE OF CONTENTS 4
- Tool Tips 11
- Context menus 12
- Window Techniques 13
- Scrolling with the scrollbars 14
- Scrolling with the Hand tool 14
- D Audio basics 17
- About this chapter 18
- How Reason communicates 18
- Playing back 19
- Exporting audio 19
- Importing audio 19
- General Information 20
- What is acceptable? 21
- ReWire and Latency 21
- Reducing latency 21
- PC Specific Information 22
- Mac Specific Information 22
- D Sounds, Devices and Patches 23
- Rack device procedures 24
- Selecting devices 25
- Deleting devices 25
- Reordering devices 25
- Duplicating devices 26
- Cut, Copy and Paste 26
- Naming devices 27
- Folding and unfolding devices 27
- A Quick Note on Routing 28
- Manual Routing 29
- Using Cables 30
- Using pop-up menus 30
- Disconnecting Devices 30
- About patches 31
- Selecting a patch 32
- Saving Patches 32
- Initializing Patches 33
- About ReFills 34
- Using the Browser 35
- Opening the browser 36
- Browser elements 36
- SOUNDS, DEVICES AND PATCHES 37
- Navigating in the Browser 38
- Using Locations 39
- Selecting multiple files 39
- Cross-browsing patch files 40
- Using the Search function 41
- Opening files 42
- About browse lists 42
- Using Favorites 42
- Handling Missing Sounds 43
- The Missing Sounds dialog 44
- D Routing Audio and CV 47
- About the various signals 48
- About Cables 48
- Automatic Routing 49
- Using CV and Gate 51
- ROUTING AUDIO AND CV 52
- D The Sequencer 53
- Sequencer basics 54
- About the two view modes 55
- Track handling 56
- Moving tracks 57
- Deleting tracks 57
- Creating tracks 57
- Folding tracks 58
- Track Color 58
- Naming tracks 58
- THE SEQUENCER 59
- About the Transport 60
- Transport controls - overview 61
- Playback and positioning 61
- Using the loop 62
- Recording 63
- Redoing part of a take 64
- Basic note lane handling 65
- Recording automation 66
- Before you record automation 68
- Basic procedure 68
- Deleting automation lanes 70
- Folding automation lanes 70
- About the toolbar 71
- About Snap 72
- Editing clips in Arrange 72
- Moving clips on the same lane 73
- Moving clips between lanes 73
- Duplicating clips 74
- Using Cut, Copy and Paste 74
- Deleting clips 75
- Resizing clips 75
- About overlapping clips 75
- A muted clip 76
- About Match values 78
- About subticks 78
- Inserting and Removing Bars 79
- Clip color 79
- The Edit mode 80
- The Edit mode elements 81
- Edit mode window handling 82
- Drawing Notes 83
- Editing Notes 83
- Editing velocity 85
- Editing automation 86
- About Automation Cleanup 88
- Drawing automation events 88
- Deleting automation events 88
- Editing Pattern Change clips 89
- Drawing Pattern clips 90
- Deleting pattern change clips 90
- Tool window - Tools page 91
- Pitch (Transpose) 92
- Velocity 92
- Note Lengths 92
- Legato Adjustments 93
- Scale Tempo 93
- Alter Notes 93
- Copying patterns to 94
- Redrum notes 95
- Matrix notes 95
- Automating tempo and time 96
- Automating time signature 97
- Importing and Exporting 98
- MIDI Files 98
- D The ReGroove Mixer 99
- Introduction 100
- The ReGroove Mixer 100
- Channel parameters 101
- Groove Patch Name 102
- Groove Patch Browser 102
- Groove Amount 103
- Pre-Align 103
- Global Shuffle 103
- Groove Settings 104
- Velocity Impact 105
- Note Length Impact 105
- Random Timing 105
- Get From Clip 105
- Working with grooves 106
- THE REGROOVE MIXER 107
- Groovy tips & tricks 108
- The ReGroove patches in the 109
- Factory Sound Bank 109
- About the various MIDI 112
- About Remote 112
- Setting up 112
- About the master keyboard 113
- Remote basics 114
- Locking a surface to a device 115
- Unlocking devices 116
- Remote Override 117
- Method 2: 118
- Removing Remote Overrides 118
- Additional Remote 119
- Overrides 119
- Keyboard Control 120
- Saving Remote Setups 121
- About the External Control 124
- Bus inputs 124
- About this Chapter 126
- Why use Reason with 126
- Introducing ReWire! 126
- Launching and Quitting 127
- Using the Transport and 127
- Tempo Controls 127
- Synchronization 127
- Routing Audio 128
- Routing MIDI via ReWire 2 128
- Converting ReWire 129
- Channels to Audio Tracks 129
- Details About Various 129
- ReWire Hosts 129
- D Synchronization 131
- ReWire users – Read This! 132
- What is Synchronization and 132
- MIDI Clock? 132
- Slaving Reason to an 132
- External Device 132
- Slaving Reason to Another 133
- Program on the Same 133
- Computer 133
- Considerations 133
- About Tempo Changes 134
- MIDI Sync and Focus 134
- D Song File Handling 135
- About Self-contained Songs 136
- Song Information 137
- About the Reason Song Archive 138
- Exporting as an Audio File 139
- SONG FILE HANDLING 140
- D Optimizing Performance 141
- Optimization and Output 142
- Optimizing Your Computer 143
- Optimizing Songs 144
- Songs and Memory 145
- Requirements 145
- OPTIMIZING PERFORMANCE 146
- D Transport Panel 147
- Overview 148
- Tempo and Time Signature 149
- Song Position 149
- Loop On/Off 149
- New Dub/New Alt buttons 149
- TRANSPORT PANEL 150
- D Reason Hardware Interface 151
- MIDI In Device 152
- Audio Out 152
- D The Combinator 153
- Creating Combinator 154
- Combinator elements 155
- About internal and external 155
- THE COMBINATOR 156
- Adding devices to a Combi 157
- Combi handling 158
- Sequencer tracks and 159
- The Controller panel 159
- Using the Programmer 160
- About the keyboard 161
- About the Transpose function 161
- Using Modulation Routing 162
- CV Connections 163
- D The Mixer 165
- The Channel Strip 166
- Channel Strip Controls: 167
- The Mixer signal flow 168
- About the EQ modes 168
- The Auxiliary Return Section 168
- The Master Fader 168
- Connections 169
- Chaining Mixers 170
- D The Line Mixer 6:2 171
- Master level 172
- THE LINE MIXER 6:2 174
- D Redrum 175
- About File Formats 176
- Using Patches 177
- Programming Patterns 178
- Pattern tutorial 179
- Setting Pattern Length 179
- Setting Pattern Resolution 180
- Step Dynamics 180
- Pattern Shuffle 180
- The Pattern Enable switch 181
- Pattern Functions 181
- Chaining Patterns 181
- Redrum Parameters 182
- Pitch Bend 183
- Global Settings 184
- Using Redrum as a Sound 185
- D Subtractor Synthesizer 187
- The Oscillator Section 188
- SUBTRACTOR SYNTHESIZER 189
- Oscillator Keyboard Tracking 190
- Using Oscillator 2 190
- Oscillator 2 Waveform 190
- Noise Generator 190
- Phase Offset Modulation 191
- Frequency Modulation (FM) 192
- Ring Modulation 192
- The Filter Section 193
- Filter 1 Frequency 195
- Resonance 195
- Filter Keyboard Track (Kbd) 195
- Filter 2 195
- Envelopes - General 196
- LFO Section 197
- LFO 2 Parameters 198
- Play Parameters 199
- Portamento (Time) 200
- External Modulation 201
- D Thor Polysonic Synthesizer 203
- Thor elements 204
- THOR POLYSONIC SYNTHESIZER 207
- Selecting oscillator type 207
- The Oscillator section 208
- Common parameters 209
- Analog oscillator 209
- Wavetable oscillator 209
- Phase Modulation oscillator 210
- FM Pair oscillator 210
- Multi oscillator 211
- Noise oscillator 211
- Mix section 212
- Filter slots 213
- State Variable Filter 214
- Comb filter 214
- Formant filter 214
- Amp section 215
- Envelope sections 216
- Global section 217
- Modulation bus routing 218
- Modulation Sources - Global 221
- Step Sequencer 223
- Setting the direction 224
- Programming step note pitch 224
- Inserting rests 224
- Setting the number of steps 225
- Setting Rate 225
- Step Pattern functions 225
- D Malström Synthesizer 227
- The amplitude envelopes 230
- The Modulator section 231
- The Filter section 232
- Filter types 233
- Filter controls 233
- The Filter Envelope 234
- The Shaper 235
- Routing examples 236
- The output controls 237
- The play controls 238
- The Velocity controls 239
- Routing external audio to 241
- MALSTRÖM SYNTHESIZER 242
- D NN-19 Sampler 243
- General Sampling Principles 244
- About Audio File Formats 245
- About Key Zones and 246
- Creating Key Zones 247
- Selecting Key Zones 247
- Setting the Key Zone Range 247
- Deleting a Key Zone 247
- NN-19 SAMPLER 248
- The Sample knob 248
- Automap Samples 249
- NN-19 Synth Parameters 250
- Envelope Section 251
- Gate Inputs 256
- D NN-XT Sampler 257
- Panel Overview 258
- Loading Complete Patches 259
- Using the Main Panel 260
- Overview of the Remote 261
- Editor panel 261
- About Samples and Zones 262
- Selections and Edit Focus 263
- Moving Edit Focus 264
- Adjusting Parameters 265
- Managing Zones and 266
- Using Copy and Paste 267
- Working with Grouping 268
- Working with Key Ranges 269
- NN-XT SAMPLER 270
- Dragging multiple zones 271
- Setting Root Notes and 272
- Using Automap 273
- Layered, Crossfaded and 274
- Velocity Switched Sounds 274
- Using Alternate 276
- Sample Parameters 277
- Group Parameters 278
- Synth parameters 279
- The Pitch section 281
- The Modulation Envelope 282
- The Amplitude Envelope 283
- The LFOs 284
- Mode (LFO 1 only) 285
- Waveform (LFO 1 only) 285
- Key Sync (LFO 1 only) 285
- Destinations for LFO 1 285
- Destinations for LFO 2 285
- D Dr. Rex Loop Player 287
- Adding a Loop 289
- Creating Sequencer Notes 290
- Slice Handling 291
- Dr.Rex Synth Parameters 292
- Velocity Control 294
- Audio Quality Settings 295
- D Matrix Pattern Sequencer 297
- Tutorial 300
- MATRIX PATTERN SEQUENCER 301
- Using Curve Patterns 302
- Using Tied Notes 303
- Pattern Mute 303
- Example Usage 305
- D RPG-8 Arpeggiator 307
- Using the RPG-8 308
- RPG-8 ARPEGGIATOR 309
- Using multiple Lanes 310
- RPG-8 Parameters 311
- Arpeggiator parameters 312
- Pattern editor 313
- Pattern functions 314
- Automating the Pattern editor 314
- CV connections 315
- Tips and tricks 316
- D ReBirth Input Machine 317
- Preparations 318
- Mix-L and Mix-R 319
- REBIRTH INPUT MACHINE 320
- D BV512 Vocoder 321
- Setting up for basic 323
- Vocoded vocals 324
- Using the BV512 as an 325
- BV512 parameters 326
- Automation 328
- Choosing a modulator sound 329
- Controlling the Hold function 330
- Using the BV512 as a reverb 332
- Creating a stereo reverb 333
- BV512 VOCODER 334
- D The Effect Devices 335
- Common Device Features 336
- The MClass effects 337
- The MClass Equalizer 337
- The MClass Stereo Imager 338
- The MClass Compressor 339
- THE EFFECT DEVICES 340
- The MClass Maximizer 341
- Scream 4 Sound Destruction 341
- Parameters 342
- Cut section (EQ) 343
- Body section 343
- CV inputs and outputs 344
- RV7000 Advanced Reverb 346
- The main panel 347
- The remote programmer 347
- Selecting an algorithm 347
- Small Space 348
- Multi Tap 349
- The EQ section 351
- The Gate section 351
- CV Inputs 352
- RV-7 Digital Reverb 353
- DDL-1 Digital Delay Line 354
- D-11 Foldback Distortion 355
- ECF-42 Envelope Controlled 355
- The Envelope Parameters 356
- CV/Gate Inputs 356
- CF-101 Chorus/Flanger 358
- PH-90 Phaser 359
- UN-16 Unison 360
- COMP-01 Auto Make-up 360
- Gain Compressor 360
- PEQ-2 Two Band Parametric 361
- Spider Audio Merger & 362
- Splitter 362
- Merging CV 363
- Practical uses of merging CV 363
- Splitting CV 365
- D Menu and Dialog Reference 367
- Reason Menu (Mac OS X) 368
- File Menu 368
- Publish Song 369
- Song Self-contain Settings 370
- Import MIDI File 370
- Export MIDI File 371
- Export Device Patch 371
- Edit Menu 372
- Sequencer clips and events 373
- Browse ReCycle/REX Files 374
- Browse Samples 374
- MENU AND DIALOG REFERENCE 375
- Automap Zones 377
- Automap Zones Chromatically 377
- Create Velocity Crossfades 377
- Copy REX Loop to Track 377
- Copy Pattern to Track 377
- Clear Remote Override Mapping 382
- Preferences – General 382
- Preferences – Audio 383
- Latency Compensation 385
- International (Windows only) 387
- Create Menu 388
- Options Menu 389
- Checking Connections 390
- Window Menu (Windows 391
- Version) 391
- Window Menu (Mac OS 391
- Help/Contacts Menu 392
- Web Site 135, 367 402
- Wheel mouse 13 402
- Windows MME Driver 20 402
- Zooming 12 402
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