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MIDI IMPLEMENTATION
198
About This Chapter
This chapter briefly describes the way various MIDI messages are imple-
mented in Reason. It is mainly intended for those who control the rack di-
rectly via MIDI, but direct MIDI input can also be put to good use when
recording into the sequencer.
The basics on how to send MIDI to Reason is described on page 41 and
page 43. This chapter only deals with the details on various MIDI messages.
MIDI Direct Control vs. MIDI Remote
Please do not confuse direct MIDI control of devices with MIDI Remote.
• Direct MIDI Control uses a fixed set of MIDI messages for each de-
vice whereas MIDI Remote requires you to define which MIDI mes-
sage to use for a certain control.
• MIDI Remote can not be recorded into the sequencer. If you send
MIDI Controller messages via the sequencer input, they get re-
corded along with all other MIDI data, just as if you moved the con-
troller with the mouse.
ReWire vs. Regular MIDI
You can use ReWire 2 to send MIDI messages to Reason. This uses exactly
the same MIDI implementation as regular MIDI.
The MIDI Implementation Charts
In your program folder you will find a document called MIDI Implementation
Charts.pdf. This contains tables of how all MIDI messages are implemented
in various devices. Below follows a summary of various MIDI messages and
their use.
How various MIDI
messages are
Implemented
Notes
The machines that receive MIDI notes are:
• Mixer 14:2 (for muting, soloing and activating EQ).
• Subtractor
• NN19
• Redrum
• Dr. Rex
The exact ranges and usage can be found in the MIDI Implementation
Charts.
Controllers
Reason makes heavy use of MIDI controllers. Practically all controls on all
devices can be controlled via MIDI.
The exact implementation of for each device can be found in the MIDI Imple-
mentation Charts.
Modulation wheel, Expression and Breath can on some devices be routed to
various controls by use of the device’s front panel.
Pitch Bend
This is implemented on all devices where it makes sense to be able to bend
notes via MIDI. Where pitch bend is implemented, there is a bend range con-
trol on the front panel.
Aftertouch
This is implemented on Subtractor and NN19. It can be used to modulate
various parameters.
Program Change and Polyphonic Aftertouch
These two MIDI messages are not implemented in any device.
- Operation Manual 1
- TABLE OF CONTENTS 3
- Recording 8
- Recording Pattern Changes 10
- THE SEQUENCER 11
- Copying REX loops and 12
- Patterns to Sequencer 12
- Editing - About Snap 14
- Editing in the Arrange 15
- Inserting and Removing Bars 17
- Using Groups 18
- Selecting Groups 19
- Resizing Groups 19
- Dividing Groups 20
- Combining Groups 20
- Find Identical Groups 20
- Ungrouping 20
- Editing with Groups 20
- The Edit View 21
- Drawing and Editing Notes 22
- Drawing notes 23
- Selecting notes 23
- Moving notes 23
- Duplicating notes 23
- Using Cut, Copy and Paste 23
- Resizing notes 24
- About resizing drum notes 24
- Deleting notes 24
- Editing velocity 24
- Editing Controllers 25
- Selecting Pattern Changes 28
- Clearing Automation 29
- Quantizing 30
- The Change Events 31
- Importing and Exporting 33
- MIDI Files 33
- ROUTING AUDIO AND CV 35
- About the various signals 36
- About Cables 36
- Automatic Routing 37
- Manual Routing 38
- Using CV and Gate 39
- ROUTING MIDI TO REASON 41
- About the Various MIDI 42
- Sending MIDI Data to 43
- Controlling Devices 45
- Recording Pattern changes 46
- About this Chapter 48
- Why use Reason with 48
- Introducing ReWire! 48
- Preparations for Using 49
- ReWire - Macintosh only 49
- Launching and Quitting 49
- Steinberg Cubase VST 50
- Cubase VST 51
- Emagic Logic Audio 52
- Mark of the Unicorn 53
- Digital Performer 53
- Basic Transport Controls 54
- Loop Settings 54
- Tempo Settings 54
- MIDI Remote Mapping 56
- Example MIDI Setups 57
- Enabling MIDI Remote 57
- Editing MIDI Remote Mapping 58
- Keyboard Remote 59
- Saving Remote Setups 60
- SYNCHRONIZATION 61
- Master/Slave 62
- Slaving Reason to 63
- Another Program on the 63
- Same Computer 63
- MacOS: Slaving Reason 64
- Synchronization 65
- Considerations 65
- About Tempo Changes 66
- OPTIMIZING PERFORMANCE 67
- Optimization and Output 68
- Optimizing Your 69
- Computer System 69
- Optimizing Songs 69
- Songs and Memory 71
- Requirements 71
- TRANSPORT PANEL 73
- Overview 74
- MIDI Sync and Focus 76
- Automation Override 76
- Audio Out Clipping Indicator 76
- CPU Meter 77
- REASON HARDWARE INTERFACE 79
- MIDI In Device 80
- Audio Out 81
- THE MIXER 83
- The Channel Strip 84
- Channel Strip Controls: 85
- The Mixer Signal Flow 86
- The Auxiliary Return 86
- The Master Fader 86
- Chaining Mixers 88
- Using Patches 91
- Step Dynamics 93
- Redrum Parameters 95
- Level and Velocity 96
- Global Settings 97
- Using Redrum as a Sound 98
- SUBTRACTOR SYNTHESIZER 101
- Introduction 102
- The Oscillator Section 102
- Semitone/Cent 104
- Oscillator Keyboard Tracking 104
- Using Oscillator 2 104
- Oscillator 2 Waveform 104
- Noise Generator 105
- Phase Offset Modulation 105
- Frequency Modulation (FM) 106
- Ring Modulation 107
- The Filter Section 108
- Filter 1 Frequency 111
- Resonance 111
- Filter Keyboard Track (Kbd) 111
- Filter 2 111
- Envelopes - General 112
- Filter Envelope 113
- Mod Envelope 113
- LFO Section 114
- LFO 2 Parameters 115
- Play Parameters 116
- Pitch Bend Range 117
- Modulation Wheel 117
- External Modulation 118
- Connections 119
- NN-19 DIGITAL SAMPLER 121
- General Sampling 122
- Principles 122
- About Audio File Formats 123
- About Key Zones and 124
- Setting the Key Zone Range 125
- Deleting a Key Zone 125
- Adding Sample(s) to a Key Map 125
- Automap Samples 127
- NN-19 Synth Parameters 128
- Envelope Section 130
- DR. REX LOOP PLAYER 135
- About File Formats 136
- Adding a Loop 137
- Creating Sequencer 138
- Slice Handling 139
- Dr.Rex Synth Parameters 140
- Velocity Control 143
- Audio Quality Settings 144
- MATRIX PATTERN SEQUENCER 147
- Programming Patterns 149
- Using Curve Patterns 150
- Setting Pattern Length 151
- Using Tied Notes 151
- Setting Pattern Resolution 152
- Pattern Shuffle 152
- Pattern Mute 152
- Pattern Functions 152
- Chaining Patterns 153
- Example Usage 154
- Triggering Samples 155
- REBIRTH INPUT MACHINE 157
- Preparations 158
- THE EFFECT DEVICES 159
- Common Device Features 160
- RV-7 Digital Reverb 161
- DDL-1 Digital Delay Line 162
- D-11 Foldback Distortion 163
- ECF-42 Envelope 163
- Controlled Filter 163
- The Filter Parameters 164
- The Envelope Parameters 164
- CV/Gate Inputs 164
- CF-101 Chorus/Flanger 166
- PH-90 Phaser 167
- COMP-01 Auto Make-up 168
- Gain Compressor 168
- PEQ-2 Two Band 169
- Parametric EQ 169
- MENU AND DIALOG REFERENCE 171
- File Menu 172
- Song Information 173
- Publish Song 173
- Song Self-contain Settings 174
- Import MIDI File 175
- Export MIDI File 175
- Export Device Patch 175
- Export REX as MIDI File 176
- Edit Menu 177
- Initialize Patch 178
- Select All 178
- Browse Device Patches 178
- Browse ReCycle/REX Files 178
- Browse Samples 179
- Redrum notes 182
- Matrix notes 182
- Quantize Notes 183
- Change Events 183
- Velocity 184
- Scale Tempo 184
- Alter Notes 184
- Preferences – General 185
- Preferences – Audio 186
- Output Latency 187
- Latency Compensation 187
- Preferences – MIDI 188
- Preferences – Sound Locations 189
- Create Menu 190
- Options Menu 190
- Edit Keyboard Remote 191
- Clear All Keyboard Remote 191
- Enable MIDI Remote Mapping 191
- Edit MIDI Remote Mapping 191
- Windows Menu 192
- (Windows Version) 192
- Windows Menu (MacOS 193
- Version) 193
- Help/Contacts Menu 193
- Register Reason Now 194
- About Reason (Windows only) 194
- ABOUT AUDIO ON COMPUTERS 195
- General Information 196
- PC Specific Information 197
- Macintosh Specific 198
- Information 198
- MIDI IMPLEMENTATION 199
- About This Chapter 200
- How various MIDI 200
- Implemented 200
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