Propellerhead Reason - 1.0.1 Manual de operaciones Pagina 131
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NN-19 DIGITAL SAMPLER
129
Waveform
LFO 1 allows you to select different waveforms for modulating parameters.
These are (from the top down):
Destination
The available LFO Destinations are as follows:
Rate
The Rate knob controls the LFO’s frequency. Turn clockwise for a faster
modulation rate.
Amount
This parameter determines to what degree the selected parameter destina-
tion will be affected by the LFO. Raising this knob’s value creates more dras-
tic results.
Play Parameters
This section deals with two things: Parameters that are affected by how you
play, and modulation that can be applied manually with standard MIDI key-
board controls.
These are:
• Velocity Control
• Pitch Bend and Modulation Wheel
• Legato
• Portamento
• Polyphony
• Voice Spread
• External Controllers
Velocity Control
Velocity is used to control various parameters according to how hard or soft
you play notes on your keyboard. A common application of velocity is to
make sounds brighter and louder if you strike the key harder. By using the
knobs in this section, you can control how much the various parameters will
be affected by velocity. The velocity sensitivity amount can be set to either
positive or negative values, with the center position representing no velocity
control.
|
Waveform
|
Description
Triangle This is a smooth waveform, suitable for normal vibrato.
Inverted
Sawtooth
This produces a “ramp up” cycle. If applied to an oscillator’s
frequency, the pitch would sweep up to a set point (gov-
erned by the Amount setting), after which the cycle immedi-
ately starts over.
Sawtooth This produces a “ramp down” cycle, the same as above but
inverted.
Square This produces cycles that abruptly changes between two
values, usable for trills etc.
Random Produces random stepped modulation to the destination.
Some vintage analog synths called this feature “sample &
hold”.
Soft Random The same as above, but with smooth modulation.
|
Destination
|
Description
Osc Selecting this makes LFO control the pitch (frequency) of the
sample patch.
Filter Selecting this makes the LFO control the filter frequency.
Pan Selecting this makes the LFO modulate the pan position of
samples, i.e. it will move the sound from left to right in the
stereo field.
- Operation Manual 1
- TABLE OF CONTENTS 3
- Recording 8
- Recording Pattern Changes 10
- THE SEQUENCER 11
- Copying REX loops and 12
- Patterns to Sequencer 12
- Editing - About Snap 14
- Editing in the Arrange 15
- Inserting and Removing Bars 17
- Using Groups 18
- Selecting Groups 19
- Resizing Groups 19
- Dividing Groups 20
- Combining Groups 20
- Find Identical Groups 20
- Ungrouping 20
- Editing with Groups 20
- The Edit View 21
- Drawing and Editing Notes 22
- Drawing notes 23
- Selecting notes 23
- Moving notes 23
- Duplicating notes 23
- Using Cut, Copy and Paste 23
- Resizing notes 24
- About resizing drum notes 24
- Deleting notes 24
- Editing velocity 24
- Editing Controllers 25
- Selecting Pattern Changes 28
- Clearing Automation 29
- Quantizing 30
- The Change Events 31
- Importing and Exporting 33
- MIDI Files 33
- ROUTING AUDIO AND CV 35
- About the various signals 36
- About Cables 36
- Automatic Routing 37
- Manual Routing 38
- Using CV and Gate 39
- ROUTING MIDI TO REASON 41
- About the Various MIDI 42
- Sending MIDI Data to 43
- Controlling Devices 45
- Recording Pattern changes 46
- About this Chapter 48
- Why use Reason with 48
- Introducing ReWire! 48
- Preparations for Using 49
- ReWire - Macintosh only 49
- Launching and Quitting 49
- Steinberg Cubase VST 50
- Cubase VST 51
- Emagic Logic Audio 52
- Mark of the Unicorn 53
- Digital Performer 53
- Basic Transport Controls 54
- Loop Settings 54
- Tempo Settings 54
- MIDI Remote Mapping 56
- Example MIDI Setups 57
- Enabling MIDI Remote 57
- Editing MIDI Remote Mapping 58
- Keyboard Remote 59
- Saving Remote Setups 60
- SYNCHRONIZATION 61
- Master/Slave 62
- Slaving Reason to 63
- Another Program on the 63
- Same Computer 63
- MacOS: Slaving Reason 64
- Synchronization 65
- Considerations 65
- About Tempo Changes 66
- OPTIMIZING PERFORMANCE 67
- Optimization and Output 68
- Optimizing Your 69
- Computer System 69
- Optimizing Songs 69
- Songs and Memory 71
- Requirements 71
- TRANSPORT PANEL 73
- Overview 74
- MIDI Sync and Focus 76
- Automation Override 76
- Audio Out Clipping Indicator 76
- CPU Meter 77
- REASON HARDWARE INTERFACE 79
- MIDI In Device 80
- Audio Out 81
- THE MIXER 83
- The Channel Strip 84
- Channel Strip Controls: 85
- The Mixer Signal Flow 86
- The Auxiliary Return 86
- The Master Fader 86
- Chaining Mixers 88
- Using Patches 91
- Step Dynamics 93
- Redrum Parameters 95
- Level and Velocity 96
- Global Settings 97
- Using Redrum as a Sound 98
- SUBTRACTOR SYNTHESIZER 101
- Introduction 102
- The Oscillator Section 102
- Semitone/Cent 104
- Oscillator Keyboard Tracking 104
- Using Oscillator 2 104
- Oscillator 2 Waveform 104
- Noise Generator 105
- Phase Offset Modulation 105
- Frequency Modulation (FM) 106
- Ring Modulation 107
- The Filter Section 108
- Filter 1 Frequency 111
- Resonance 111
- Filter Keyboard Track (Kbd) 111
- Filter 2 111
- Envelopes - General 112
- Filter Envelope 113
- Mod Envelope 113
- LFO Section 114
- LFO 2 Parameters 115
- Play Parameters 116
- Pitch Bend Range 117
- Modulation Wheel 117
- External Modulation 118
- Connections 119
- NN-19 DIGITAL SAMPLER 121
- General Sampling 122
- Principles 122
- About Audio File Formats 123
- About Key Zones and 124
- Setting the Key Zone Range 125
- Deleting a Key Zone 125
- Adding Sample(s) to a Key Map 125
- Automap Samples 127
- NN-19 Synth Parameters 128
- Envelope Section 130
- DR. REX LOOP PLAYER 135
- About File Formats 136
- Adding a Loop 137
- Creating Sequencer 138
- Slice Handling 139
- Dr.Rex Synth Parameters 140
- Velocity Control 143
- Audio Quality Settings 144
- MATRIX PATTERN SEQUENCER 147
- Programming Patterns 149
- Using Curve Patterns 150
- Setting Pattern Length 151
- Using Tied Notes 151
- Setting Pattern Resolution 152
- Pattern Shuffle 152
- Pattern Mute 152
- Pattern Functions 152
- Chaining Patterns 153
- Example Usage 154
- Triggering Samples 155
- REBIRTH INPUT MACHINE 157
- Preparations 158
- THE EFFECT DEVICES 159
- Common Device Features 160
- RV-7 Digital Reverb 161
- DDL-1 Digital Delay Line 162
- D-11 Foldback Distortion 163
- ECF-42 Envelope 163
- Controlled Filter 163
- The Filter Parameters 164
- The Envelope Parameters 164
- CV/Gate Inputs 164
- CF-101 Chorus/Flanger 166
- PH-90 Phaser 167
- COMP-01 Auto Make-up 168
- Gain Compressor 168
- PEQ-2 Two Band 169
- Parametric EQ 169
- MENU AND DIALOG REFERENCE 171
- File Menu 172
- Song Information 173
- Publish Song 173
- Song Self-contain Settings 174
- Import MIDI File 175
- Export MIDI File 175
- Export Device Patch 175
- Export REX as MIDI File 176
- Edit Menu 177
- Initialize Patch 178
- Select All 178
- Browse Device Patches 178
- Browse ReCycle/REX Files 178
- Browse Samples 179
- Redrum notes 182
- Matrix notes 182
- Quantize Notes 183
- Change Events 183
- Velocity 184
- Scale Tempo 184
- Alter Notes 184
- Preferences – General 185
- Preferences – Audio 186
- Output Latency 187
- Latency Compensation 187
- Preferences – MIDI 188
- Preferences – Sound Locations 189
- Create Menu 190
- Options Menu 190
- Edit Keyboard Remote 191
- Clear All Keyboard Remote 191
- Enable MIDI Remote Mapping 191
- Edit MIDI Remote Mapping 191
- Windows Menu 192
- (Windows Version) 192
- Windows Menu (MacOS 193
- Version) 193
- Help/Contacts Menu 193
- Register Reason Now 194
- About Reason (Windows only) 194
- ABOUT AUDIO ON COMPUTERS 195
- General Information 196
- PC Specific Information 197
- Macintosh Specific 198
- Information 198
- MIDI IMPLEMENTATION 199
- About This Chapter 200
- How various MIDI 200
- Implemented 200
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