Propellerhead Reason - 1.0.1 Manual de operaciones Pagina 132

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NN-19 DIGITAL SAMPLER
130
The following parameters can be velocity controlled:
Pitch Bend and Modulation Wheels
The Pitch Bend wheel is used for bending notes, like bending the strings on
a guitar. The Modulation wheel can be used to apply various modulation
while you are playing. Virtually all MIDI keyboards have Pitch Bend and Mod-
ulation controls. NN-19 also has two functional wheels that could be used to
apply real time modulation and pitch bend should you not have these control-
lers on your keyboard, or if you arent using a keyboard at all. The wheels
mirror the movements of the MIDI keyboard controllers.
Pitch Bend Range
The Range parameter sets the amount of pitch bend when the wheel is
turned fully up or down. The maximum range is 24 (=up/down 2 Octaves).
Modulation Wheel
The Modulation wheel can be set to simultaneously control a number of pa-
rameters. You can set positive or negative values, just like in the Velocity
Control section. The following parameters can be affected by the modulation
wheel:
Legato
Legato works best with monophonic sounds. Set Polyphony (see below) to 1
and try the following:
Hold down a key and then press another key without releasing the
previous.
Notice that the pitch changes, but the envelopes do not start over. That
is, there will be no new attack.
If polyphony is set to more voices than 1, Legato will only be ap-
plied when all the assigned voices are “used up”.
For example, if you had a polyphony setting of 4 and you held down a 4
note chord, the next note you played would be Legato. Note, however,
that this Legato voice will steal one of the voices in the 4 note chord, as
all the assigned voices were already used up!
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Destination
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Description
Amp This lets you velocity control the overall volume of the
sound. If a positive value is set, the volume will increase the
harder you strike a key. A negative value inverts this relation-
ship, so that the volume decreases if you play harder, and in-
creases if you play softer. If set to zero, the sound will play at
a constant volume, regardless of how hard or soft you play.
F. Env This sets velocity control for the Filter Envelope Amount pa-
rameter. A positive value will increase the envelope amount
the harder you play. Negative values invert this relationship.
F. Dec This sets velocity control for the Filter Envelope Decay pa-
rameter. A positive value will increase the Decay time the
harder you play. Negative values invert this relationship.
S.Start This sets velocity control for the Sample Start parameter. A
positive value will increase the Start Time amount the harder
you play. Negative values invert this relationship.
A. Attack This sets velocity control for the Amp Envelope Attack pa-
rameter. A positive value will increase the Attack time the
harder you play. Negative values invert this relationship.
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Destination
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Description
F. Freq This sets modulation wheel control of the Filter Frequency
parameter. A positive value will increase the frequency if the
wheel is pushed forward. Negative values invert this relation-
ship.
F. Res This sets modulation wheel control of the Filter Resonance
parameter. A positive value will increase the resonance if the
wheel is pushed forward. Negative values invert this relation-
ship.
F. Dec This sets modulation wheel control for the Filter Envelope
Decay parameter. A positive value will increase the decay if
the wheel is pushed forward. Negative values invert this rela-
tionship.
LFO This sets modulation wheel control of the LFO Amount pa-
rameter. A positive value will increase the Amount if the
wheel is pushed forward. Negative values invert this relation-
ship.
Amp This sets modulation wheel control for the Amp level param-
eter. A positive value will increase the level if the wheel is
pushed forward. Negative values invert this relationship.
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