Propellerhead Reason - 2.0 Manual de operaciones Pagina 220

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The Effect Devices
218
Parameters
CV Inputs
The following CV inputs are available on the back panel of the device:
DD
DD
Freq CV.
Adjusts the frequency parameter. Use this e.g. for creating envelope con-
trolled phasing (preferably with LFO Freq. Mod turned off in the device).
DD
DD
Rate CV.
Lets you control the speed of the modulating LFO from another device.
About Stereo and Mono connections
The CF-101 can be connected using mono or stereo inputs, as shown by the
graphs on the back panel. Note the following:
DD
DD
A “moving” stereo effect is only obtained when you use a mono in-
put and stereo outputs.
With a stereo input, the two sides are processed in parallel, maintaining the
stereo image of the original sound.
DD
DD
When you are using a mono input and stereo outputs, there will
only be a stereo effect if the internal LFO is used.
If you turn LFO Mod Amount to zero, both stereo outputs will carry the same
signal (mono). This is because the fake stereo effect is produced by invert-
ing the modulation for one of the output channels.
|
Parameter
|
Description
Frequency Sets the frequency of the first notch. Adjusting this will move
the other notches correspondingly. This is the parameter mod-
ulated by the LFO to create phaser sweeps.
Split This adjusts the distance between the notches in the frequency
range, thereby changing the character of the effect.
Width Determines the width of the notches. Raising the Width deep-
ens the effect and simultaneously makes the sound more hol-
low and thin. This will also have an effect on character of the
feedback tone.
LFO Rate This is the speed of the LFO modulating the frequency param-
eter. The higher the value, the faster the phaser sweeps.
LFO Sync This button lets you activate/deactivate LFO sync. When it is
activated, the frequency of the LFO is synchronized to the song
tempo, in one of 16 possible timedivisions. The LFO Rate knob
is then used for setting the desired timedivision. Turn the knob
and observe the tooltip that appears for an indication of the ti-
medivision.
LFO Freq.
Mod
This determines the depth of the LFO modulation, i.e. by how
much the frequency parameter should be modulated.
If you turn this to zero, the effect will be a static, formant-like
sound (most effective if you add a little feedback).
Feedback This is similar to the resonance control on a filter. Raising the
feedback gives a more pronounced tone in the effect. For
singing phaser sounds, try raising this to the maximum.
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